About
Qualitative researcher, data visualization and GIS specialist, digital anthropologist…
Activity
343 followers
Experience
Education
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City University of New York Graduate Center
Dissertation: "The Afterlives of Government Documents: Information Labor, Archival Power, and the Visibility of U.S. Human Rights Violations in the 'War on Terror'”
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Publications
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The Afterlives of Government Documents: Information Labor, Archival Power, and the Visibility of U.S. Human Rights Violations in the “War on Terror” (dissertation)
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Chapter: "The Border Project: Towards a regional forensic mechanism for the identification of missing migrants"
IOM - International Organization on Migration
Co-author with Mercedes Doretti and Carmen Osorno Solís of EAAF's chapter in the IOM publication: Fatal Journeys, Vol. 3, Part 1: Improving Data on Missing Migrants
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Memory | Materiality | Sensuality
Memory Studies 9.1 (Special Issue)
Co-edited special issue of Memory Studies on Memory | Materiality | Sensuality examines the workings of memory at the intersection of human intersensory involvements with the material -- beginning an exploration of the concept of "mnemonic assemblages."
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The ghostly city: encounters with material memory
Part of the publication "i" edited by Maricruz Alarcón, Pieter Paul Pothoven, and Ilyn Wong, accompanying their multimedia exhibition "I scarcely have the right to use this ghostly verb" at The New School, April 2014.
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Silence, Screen, and Spectacle: Rethinking Social Memory in the Age of Information and New Media
Berghahn Books
Volume 14, Remapping Cultural History Series
In an age of information and new media the relationships between remembering and forgetting have changed. This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese Americans in WWII, the Canadian Indian…Volume 14, Remapping Cultural History Series
In an age of information and new media the relationships between remembering and forgetting have changed. This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese Americans in WWII, the Canadian Indian Residential School system, Israeli memorial videos, and the desaparecidos in Argentina. Through these cases, the contributors argue for a re-interpretation of Guy Debord’s notion of the spectacle as a conceptual apparatus through which to examine the contemporary landscape of social memory, arguing that the concept of spectacle might be developed in an age seen as dissatisfied with the present, nervous about the future, and obsessed with the past. Perhaps now “spectacle” can be thought of not as a tool of distraction employed solely by hegemonic powers, but instead as a device used to answer Walter Benjamin’s plea to “explode the continuum of history” and bring our attention to now-time.Other authors -
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Engaging Archival Power: Creative Time's "Social Practices Archive" and the Living as Form Project
e-misferica 9.1-9.2, "On the Subject of Archives" edited by Marianne Hirsch and Diana Taylor, Summer 2012
Projects
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The Interdisciplinary Memory Studies Group
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Through conferences, events, and publications, the Interdisciplinary Memory Studies Group has brought together scholars from across the disciplines to share work on how memory functions, how it is constructed, and how it is used. We are devoted to fostering a critical debate among the social sciences, arts, and humanities around developing new paradigms and analyses of memory. Previous publications by our group's core members have included: Silence, Screen, and Spectacle: Rethinking Social…
Through conferences, events, and publications, the Interdisciplinary Memory Studies Group has brought together scholars from across the disciplines to share work on how memory functions, how it is constructed, and how it is used. We are devoted to fostering a critical debate among the social sciences, arts, and humanities around developing new paradigms and analyses of memory. Previous publications by our group's core members have included: Silence, Screen, and Spectacle: Rethinking Social Memory in the Age of Information and New Media edited by Lindsey Freeman, Benjamin Nienass, and Rachel Daniell (forthcoming in Berghahn Books' Remapping Cultural History series, March 2014); "Screen Memory," a special issue of the International Journal of Politics, Culture and Society (2013); and Memory and the Future: Transnational Politics, Ethics and Society edited by Yifat Gutman, Adam D. Brown, and Amy Sodaro (Palgrave Macmillan Memory Studies, 2010).
Other creatorsSee project
Honors & Awards
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Pratt Circle Award
Pratt Institute
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Digital Dissertation Award
New Media Lab, CUNY Graduate Center
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Honorable Mention, NYC-DH Digital Humanities Graduate Student Project Award
http://nycdh.org/about/
Project: The Digital Afterlives of Government Documents
http://newmedialab.cuny.edu/project/the-digital-afterlives-of-government-documents/
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ARC Knickerbocker Award for Archival Research in American Studies
Advanced Research Collaborative, The Graduate Center, CUNY
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Dissertation Fieldwork Grant
Wenner-Gren Foundation
For dissertation research on:
Documenting Contested Pasts: The Production of History and the U.S. 'War on Terror' -
Anthropology Dept Pre-Dissertation Research Grant
Anthropology Department, The Graduate Center, CUNY
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Doctoral Student Research Grant
Research and Sponsored Programs, The Graduate Center, CUNY
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Chancellor’s Fellowship
The Graduate Center, CUNY
Organizations
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New Media Lab, CUNY
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-http://newmedialab.cuny.edu/people/rachel-daniell/
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