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Duncan Brazzil reposted thisDuncan Brazzil reposted thisGruhl has rebranded Rerun, the open source platform that lets robotics teams see what their robots see, around the grittier reality of the field. The wordmark takes its geometry from the head of a bolt, a nod to the soldering irons and melted chips of a real robotics workshop. Its palette runs on Jet and Turbo, the colour maps that scientific and engineering tools use to make invisible data visible. ——— Explore the full case study → t-bi.link/rerun
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Duncan Brazzil reposted thisDuncan Brazzil reposted thisBerlin based Studio Gruhl has developed the new visual brand and digital design system for Rerun; the Stockholm based open source platform building the data layer for robots, drones and autonomous vehicles. Built around the concept See What Robots See, the system reframes the visual language of the robotics category; creating a warm and human brand in a category that has historically been cold and clinical. Full link to the project 🔗 https://lnkd.in/eeT_d36v — #brandsinmotion #motiondesign #motioninspiration #branding #brandinginspiration
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Duncan Brazzil shared thisNew work with the wonderful team at Studio Gruhl on their work for Rerun!Duncan Brazzil shared thisWhen Rerun approached us to help them with their new brand identity, I was very excited at the prospect of collaborating. Their field is incredibly complex and deeply relevant, yet equally fascinating and cutting edge. I was absolutely hyped to jump in. They are leaders in physical AI, helping teams around the world visualize what their robots see, allowing them to log, query and train on the data behind it. We helped them build a new brand identity, reimagining the visual language of the robotics industry and moving past its usual tropes. We anchored everything around the tactile, hands-on feel of robotics and tinkering, while constantly returning to the core question: "How do robots see?" Link in the comments. A massive thank you to Nikolaus West, Moritz Schiebold, Emil Ernerfeldt and Katerina Gavrilo for collaborating with us, and a huge shoutout to the studio team who brought this to life. Creative Credits Studio Gruhl: Malte Gruhl, Emma Damiani, Yuriy Starikov, Joma Frenzel and Duncan Brazzil.
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Duncan Brazzil reposted thisDuncan Brazzil reposted thisWhen Rerun approached us to help them with their new brand identity, I was very excited at the prospect of collaborating. Their field is incredibly complex and deeply relevant, yet equally fascinating and cutting edge. I was absolutely hyped to jump in. They are leaders in physical AI, helping teams around the world visualize what their robots see, allowing them to log, query and train on the data behind it. We helped them build a new brand identity, reimagining the visual language of the robotics industry and moving past its usual tropes. We anchored everything around the tactile, hands-on feel of robotics and tinkering, while constantly returning to the core question: "How do robots see?" Link in the comments. A massive thank you to Nikolaus West, Moritz Schiebold, Emil Ernerfeldt and Katerina Gavrilo for collaborating with us, and a huge shoutout to the studio team who brought this to life. Creative Credits Studio Gruhl: Malte Gruhl, Emma Damiani, Yuriy Starikov, Joma Frenzel and Duncan Brazzil.
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Duncan Brazzil shared thisMotion Design for WAY stadium takeover at State Farm Arena in Atlanta, Georgia, taking over the stadium during the first game of the Atlanta Hawks 2025/2026 season. WAY is a youth empowerment + education/career initiative that The Weeknd’s creative collective helped launch alongside his tour ecosystem (XO / No More Dreams Studios / Stand Together.) https://lnkd.in/gpzuGQAq
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Duncan Brazzil posted thisAfter wrapping a fun week at FutureDeluxe LA, I’m now available from 5/5-5/19. If anyone needs any motion support in this window, hit my dm or email! duncanbrazzil@gmail.com
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Duncan Brazzil shared thisSo grateful for my time at OFFF Barcelona. So many take aways talented people and talks from great minds like Echolab, FutureDeluxe, Los York and amazing close out audio/visual show by Hamill Industries. Shout out to my best friend & fellow motion designer joining me on the journey Steven Martinez, the man Ali Martín Carrillo Filsoof, the whole team at Crown Creative, meeting the folks from Thru Motion in Barcelona, chats with Los York team and some new friends from all around the world, India, Ireland, Scotland.. etc. Till next year.
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Duncan Brazzil shared thisHeading off to the airport shortly for Barcelona for OFFF 2026 in Barcelona. Can't wait to get inspired by Stockholm Design Lab Los York FutureDeluxe Jamhot & more. Can't believe for how long I've been in industry this is first time there! Definitely needing some inspiration and a break! If anyone has any recommendations for Barcelona drop em' below! And if you're there, see you there. #OFFF #OFFF2026 #Barcelona
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Duncan Brazzil reposted thisDuncan Brazzil reposted thisSENSITIVE recently developed a full brand identity and design system for a new women’s soccer league Sensational League based out of Copenhagen Denmark. We created a bold mark that embodied speed, power and a bit of danger, paired with a contemporary type and information system. Sensational League is a digital-native independent league for women’s football, creating professional opportunities for female players to earn and build their brands. Launching in the Nordics in 2026 with a 7v7 format, athlete-influencer captains, and festival events, the league targets Gen Z and female sports fans with creative content and easy access. Expansion to UK, Germany, and the US is planned. Sensitive: Luisa Tormenta Oliver Campbell Production: Mary Antionetta Sean Quinn Sensational League: Bettina Kuperman, Majken Gilmartin
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Duncan Brazzil liked thisDuncan Brazzil liked thisTo celebrate the relaunch of Odd Notion, we put together a little reel highlighting some of our recent work mixed with some of the work that got us here. Thanks to every client who has given us a shot, every publication that featured our work and every referral that entrusted us with their network. We wouldn't be here with you all. If you haven't checked the new website. Link in the comments Cynthia King-Guffey, Ryan Buchanan, Jelani Memory, Stephen Green, Anyeley Hallová, Toby Roberts, Joel Velasco, Camille E. Trummer, Angela Arevalo Smith, MBA, Amy Lewin, Wesley Griffin, Rob Jackman
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Duncan Brazzil liked thisDuncan Brazzil liked thisShoes and bags product photography for the new Vera Wang RTW range. Such a fun one to shoot this for such an iconic designer.
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Duncan Brazzil liked thisDuncan Brazzil liked thisYou look familiar, have we met? 💋 We’re excited to preview our new identity for Tinder in an exclusive interview with It's Nice That. After pioneering the swipe and revolutionizing dating over ten years ago, we refreshed Tinder's visual and verbal identity, and we’d say it’s a perfect match. Read the full article here: https://lnkd.in/eNWkDkkb
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Duncan Brazzil liked thisDuncan Brazzil liked thisA product story that became a study in speed, lightness, and precision. The Components, iterations, and detours behind Logitech G's PRO X SUPERLIGHT 2 DEX.
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Duncan Brazzil liked thisIt's a match ❤️ Tinder 🤝 PORTO ROCHADuncan Brazzil liked thisTinder's First Rebrand in a Decade. Dating has changed more in the last decade than in the previous fifty. New language, new methods, new boundaries - and a generation that approaches connection in a way that's more expressive, more fluid, and a lot less pressure-filled than what came before. Over the last year, we've been building Tinder to reflect that with new features like Double Date, IRL Events, Music Mode, Astrology Mode. These are new ways to connect that meet this generation where they actually are. And now the look and feel of the app has caught up too. Working with PORTO ROCHA, we evolved everything: the flame, the wordmark, the photography, and a voice that someone on the team described as 'what if Gen Z had a Carrie Bradshaw.' Daring and witty, but warm. Shoutout to Chamal Samaranayake and the entire design team at Tinder, and to the incredible team at PORTO ROCHA. And thank you to Elizabeth Goodspeed at It's Nice That for taking a deep dive with us into this new chapter of Tinder. Tell me what you think?! https://lnkd.in/dpTveVTyTinder’s first rebrand in nearly a decade channels the voice of a dating columnistTinder’s first rebrand in nearly a decade channels the voice of a dating columnist
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Duncan Brazzil liked thisDuncan Brazzil liked thisFor Kalshi Pro, the creative team set out to elevate the visual language of professional trading tools. We embraced the product itself, its data, charts, and complexity, but framed it through a more cinematic lens. Using motion blur, perspective, and a unique palette, we built a visual tone that captures the feeling of markets in constant motion. Excited to see how this one's evolve in the following months.
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Duncan Brazzil liked thisDuncan Brazzil liked thisA good brand isn't tested when you launch it. It's tested when you need to make the hundredth+ campaign. We helped EarnIn build a campaign design system that kept their existing brand consistent across motion, typography, color, and pattern as it scaled.
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Duncan Brazzil liked thisDuncan Brazzil liked thisHOUSTON, WE HAVE A SOLUTION In the volatile and vicious European energy market, METEORIC™ operates on a singular mission: the belief in a greater power 💫 From a name that gives rise to a new form of gas and electricity supply to the multi-dimensional meteor it arrives on, a voice inspired by space on film to art direction from a galaxy far, far away, every decision is universal in its scale and understanding. Creating a new brand that, to COOs and CFOs, might feel like the stuff of science fiction. But is very much the stuff of science fact. Well done to the whole How&How team on this awesome piece of work, and Felix Dammann and his team for the trust, faith and incredible energy along the way 💛 Case Study below 👇
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Nikie Monteleone
I scream, you scream, we all scream for... Displacement? I'm still workshopping that one 😅 Substance materials inside of After Effect's latest beta now support Displacement on prims!! Drag + drop an sbsar into your project and in the properties panel, enable it from the drop down. And bonus? Increase the Sub Division count for smaller details like the sprinkles. How will you use SBSARs in AE? More here -> https://lnkd.in/gDUKE--C
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